Robert Mars’ artwork chronicles an evolving fascination with the Golden Age of American popular culture and celebrates the icons of the 1950’s and 60’s by taking inspiration from this culture long past. Through the application of a rich color palette and tongue-in-cheek attitude, Mars’ paintings evoke a vintage quality of design and pay homage to the idealized age of growth and hopefulness that was prevalent in the USA at the end of the Depression. A time before the internet and mobile technology, where information was not instantly available to millions and there was no such thing as instant internet celebrities, and instead people lived with the myth of the unique, untouchable and unforgettable personalities of Marilyn Monroe, Elizabeth Taylor, James Dean, Audrey Hepburn and Elvis Presley.
By merging his own concept of personal idols with those of mainstream culture, Mars is able to focus his work on a deeper analysis of the Golden Age of American personalities. As an artist, he has always been fascinated with 1950’s and 60’s culture, and his early work reflects many of the architectural and mechanical icons from this era. Muscle cars, motels, logos and hulking monuments to the “modern” feeling of the time permeate his early canvases. More recently however, Mars’ artwork has shifted toward the culture of celebrity and he is amazingly attuned to the fact that these instantly recognizable and larger-than-life personalities continue to resonate with contemporary American culture.
A graduate of Parsons School of Design in New York, Mars begins the creative process by preparing his surface with multiple layers of brown paper in order to define the edges and delineate the background planes of color. He then alternates layers of paint and vintage paper ephemera, sanding away portions of the layers as he works, revealing the desired portions of under painting with the overall intention to provide the viewer with a muted window into America’s past. Chronicling this fascination with 1950’s and 60’s iconography, Mars has produced a body of artwork from his studio in New York that celebrates the commonplace objects and icons of an America long past, in a thoroughly modern and exquisitely constructed manner. His eye for a distinct facet of American history is impeccable and his ability to manipulate the color and wordplay of vintage printed material has earned him reference with the likes of Andy Warhol, Robert Rauschenberg, and Richard Diebenkorn among other masters from the School of Pop. Robert Mars’ artwork is exhibited worldwide including museum collections in Munich, Tokyo, Amsterdam, London, Boston, New York, Los Angeles, Laguna Beach, Paris, Aspen and Naples.
His artwork was selected for the Absolut Vodka Blank campaign alongside DamienHirst, and his largest sized piece to date was acquired by Philip Morris/Altria for their corporate headquarters in Virginia. In 2015 Mars was chosen for the cover of Neiman Marcus’ May Book, while CocaCola purchased several existing works and ordered commissions for a world tour celebrating the 100 year anniversary of their trademark bottle shape, in which his artwork was spotlighted. 2016 will see Mars as a featured artist for a custom high end wallpaper and tile series with Kari Whitman Interiors. He will have a solo exhibition at the Evansville Museum of Art in Indiana, where he will also be an artist in residence and guest lecturer
True Obsession Kate, 2016 Size: 40" x 60" x 3" Medium: Mixed Media With Neon Price Upon Request
It This Is Goodbye, 2019 Size: 60" x 48" Medium: Mixed Media with Neon Price Upon Request
In The Kingdom Of Dreams, 2019 Size: 35" x 70" Medium: Mixed Media Price Upon Request
Unending Love Audrey, 2016 Size: 40" x 60" x 3" Medium: Mixed Media With Neon Price Upon Request